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Narrator:
AROUND THE WORLD,
THE RACE TO WIN WARS

2
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AND EXPLORE THE UNIVERSE
HAS CREATED SOME

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OF THE MOST INCREDIBLE
PRODUCTS EVER DESIGNED

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AND WE USE THEM EVERY DAY,

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UNAWARE OF THEIR
AMAZING ORIGINS.

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[ STATIC CRACKLES ]

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ON "INCREDIBLE INVENTIONS"...

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THE COMPUTER,

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DEVELOPED BY WORLD WAR II
MILITARY ENGINEERS,

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BUT SO SIMPLE EVEN
A CHILD CAN USE IT.

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THE FRISBEE,

12
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HOW A PIE TIN IS TRANSFORMED
BY A FIGHTER PILOT.

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SILVERWARE,

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HOW USEFUL TOOLS AND WEAPONS
ARE ADAPTED FOR DINING.

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WE REVEAL

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THE AMAZING HISTORY
AND ENGINEERING

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BEHIND THESE
INCREDIBLE INVENTIONS.

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♪♪

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--<font color="#ffff00"> Captions by VITAC</font> --
<font color="#00ffff">www.vitac.com</font>

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CAPTIONS PAID FOR BY
DISCOVERY COMMUNICATIONS

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♪♪

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[ STATIC CRACKLES ]

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COMPUTERS HAVE BECOME SUCH
AN EVERYDAY PART OF OUR WORLD,

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IT'S DIFFICULT TO BELIEVE
THAT JUST 50 YEARS AGO

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THEY WERE ONLY AVAILABLE
TO A SELECT FEW.

26
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AND THEIR CALCULATING POWER

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WAS JUST A FRACTION OF TODAY'S

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SIMPLEST CELL PHONES.

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BUT IT'S IMPORTANT TO UNDERSTAND
THAT THE WORD "COMPUTER"

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HAS A DIFFERENT POPULAR
MEANING TODAY

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THAN IT DOES OVER
HALF A CENTURY AGO.

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THE WORD "COMPUTER"
IS FIRST INTRODUCED

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IN THE 17th CENTURY

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AND LITERALLY MEANS,
"ONE WHO COMPUTES,"

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IN OTHER WORDS,
MAKES CALCULATIONS.

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MECHANICAL COMPUTING MACHINES

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COME INTO EXISTENCE
AS EARLY AS THE 19th CENTURY,

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BUT ELECTRONIC DEVICES
WE KNOW TODAY

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DON'T EMERGE
UNTIL WORLD WAR II.

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THAT'S WHEN ALAN TURING
AND HIS TEAM

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AT THE SECRET BLETCHLEY PARK
DECODING SITE IN ENGLAND

42
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IS TASKED WITH DECODING
THE GERMAN ENIGMA MACHINE

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TO GAIN AN EDGE IN THE ATLANTIC
AGAINST HITLER'S U-BOATS.

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Halliday: HE WAS PROBABLY
THE FIRST PERSON

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TO REALIZE THAT
BY SETTING UP A MACHINE,

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WE'D BE ABLE TO COMBAT
OR BE ABLE TO PRODUCE SOMETHING,

47
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WHICH WOULD PRODUCE THE RESULTS,

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WHICH WOULD EQUAL FAR MANY
MORE BRAINS, ET CETERA.

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BUT, SO IN A WAY, THIS WAS THE
ORIGINS OF THE FIRST COMPUTER.

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Narrator:
THIS LEADS TO THE DEVELOPMENT
OF THE COLOSSUS,

51
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THE WORLD'S FIRST PROGRAMMABLE
ELECTRONIC COMPUTER.

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IT CAN DECIPHER EVEN
THE MOST COMPLEX CODES,

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KEEPING THE ALLIES
ONE STEP AHEAD OF THE NAZIS.

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FAST FORWARD 50 YEARS,

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AND SIT IN FRONT OF
ANY COMPUTER OR LAPTOP.

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YOU PROBABLY TAKE
FOR GRANTED

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THE INCREDIBLE POWER
BEHIND MICROPROCESSORS

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BUZZING INSIDE THE DEVICE.

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MICROPROCESSOR TECHNOLOGY MEANS

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THAT CREDIT-CARD-SIZED COMPUTERS

61
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CAN NOW BE PRODUCED
WITH A PROCESSING POWER

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THOUSANDS OF TIMES

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BETTER THAN THOSE USED
IN THE WAR

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AND THOUSANDS OF TIMES
CHEAPER, TOO.

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THESE ADVANCEMENTS
ARE PERFECTLY HIGHLIGHTED

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BY THE BRITISH
MADE RASPBERRY PI,

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A SINGLE-BOARD COMPUTER

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CREATED TO TEACH BASIC
COMPUTER SCIENCE IN SCHOOLS.

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WHAT MAKES
THE RASPBERRY PI COMPUTER

70
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SO UNIQUE IS IT'S SIMPLICITY,

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WHICH MEANS THEY CAN
BE PRODUCED RAPIDLY.

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AMAZINGLY, ONE RASPBERRY PI
IS BUILT EVERY 7.5 SECONDS.

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THE IDEA BEHIND THE PRODUCTION
PROCESS IS SIMPLE.

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YOU ATTACH COMPONENTS
TO A PRINTED CIRCUIT BOARD,

75
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OR PCB FOR SHORT,

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WITH SOLDER IN ORDER
TO CREATE A MECHANICAL

77
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AND ELECTRONICALLY
CONDUCTED JOINT.

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THE PCBS ARE MOUNTED
ON A PANEL

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OF SIX RASPBERRY PIs.

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THIS ENSURES MINIMAL CONTACT

81
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WHEN HANDLING AND PROVIDES

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A WASTE EDGE
AROUND THE BOARDS,

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THAT THE MACHINES CAN USE

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TO CLAMP THE PANEL
FIRMLY INTO PLACE.

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THE BAR LAMINATED
PCBs ARE SCREEN PRINTED

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WITH SOLDER PASTE
USING A HUNDRED MICRON STENCIL.

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WHEN THE STENCIL IS REMOVED,

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TINY PRINTS OF SOLDER
ARE LEFT ON THE BOARD.

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THE MACHINE PERFORMS
AN AUTOMATED OPTICAL CHECK

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IMMEDIATELY AFTER THE PRINTING
VIA A GRAYSCALE COMPARATOR.

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IF ANY PRINTS
ARE MISSING,

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THE PIECE CAN BE EASILY
REMOVED AND THE PCB REPRINTED.

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AFTER THE PRINTER
HAS BEEN VERIFIED,

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THE BOARDS ARE MOVED INTO
AN SMT MOUNTING MACHINE

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WHERE THE SURFACE-MOUNT
COMPONENTS OF THE PI ARE ADDED.

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SMT STANDS FOR SURFACE
MOUNT TECHNOLOGY

97
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AND IS A METHOD FOR PRODUCING
ELECTRONIC CIRCUITS.

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EACH OF THE TINY PARTS ARE
IN POCKETS ON THE REEL OF TAPE.

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A VACUUM NOZZLE PICKS THEM,
THEN SPINS ROUND

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AND PLACES THEM ON THE PCB.

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ONCE THE PARTS
HAVE BEEN PLACED,

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EVERYTHING MUST BE
SOLDERED INTO POSITION.

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THIS IS DONE IN AN AIRFLOW OVEN,

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WHICH BAKES THE BOARDS

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AND HEATS THE TINY BALLS
OF SOLDER

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TO FUSE THEM TO THE COMPONENT,

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THE PCB, AND EACH OTHER.

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ANOTHER AUTOMATIC OPTICAL
INSPECTION IS NOW CARRIED OUT.

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HIGH-RESOLUTION CAMERAS
CHECK THE PCBs

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AND ARE THEN MOVED
INTO ANOTHER SMT LINE

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WHERE THE PROCESS IS REPEATED

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ON THE OTHER SIDE
OF THE BOARDS.

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AFTER ONE MORE JOURNEY
INTO THE AIRFLOW OVEN

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AND ANOTHER OPTICAL INSPECTION,

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IT IS NOW TIME FOR THE BOARDS

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TO BE MOVED ONTO
THE HAND MOUNTING LINE.

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HERE, ALL THE LARGER
THROUGH-HOLE COMPONENTS

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ARE DELICATELY ADDED BY HAND
TO THE RASPBERRY PI's PCB.

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THEY INCLUDE USB
AND ETHERNET SOCKETS.

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THE BOARDS
ARE THEN PASSED THROUGH

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A WAVE SOLDERING MACHINE,

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WHERE THE COMPONENTS ARE
PERMANENTLY SOLDERED

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TO THE BOARD.

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THIS MOLTEN-LAVA
LOOKING SOLDER IS HEATED

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AND PASSED UNDER THE BOARD
IN WAVES OF METALLIC LIQUID.

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THE HEIGHT OF THE WAVE
IS CAREFULLY MANAGED

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TO ENSURE A QUALITY JOINT.

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GREAT SKILL AND EXPERT JUDGEMENT

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ARE NEEDED TO GET
THIS EXACTLY RIGHT.

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WITH THIS DONE,
THE PIs ARE FULLY ASSEMBLED

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AND READY FOR MANUAL INSPECTION.

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THIS TAKES ABOUT 30 SECONDS
PER BOARD.

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THE BOARDS ARE THEN PASSED OVER
TO THE TEST STATION

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WHERE THE PIs ARE TESTED

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USING IN-HOUSE-DEVELOPED
CUSTOM TESTING EQUIPMENT.

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HERE, THE BOARDS ARE
BROKEN OUT OF THE PANEL

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AND PLACED
ONTO THE TESTING UNIT.

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EACH STATION HAS TWO UNITS

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THAT ARE USED
FOR LOADING AND UNLOADING,

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AND THE OTHER IS USED
TO RUN THE TEST

141
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AND ALSO PROGRAM
THE VARIOUS SET-UP CODES,

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INCLUDING THE MODEL NUMBER
AND PLACE OF ORIGIN.

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I THINK RASPBERRY PI IS
A GOOD EXAMPLE

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OF WHERE COMPUTERS ARE GOING.
AND COMPUTERS

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ARE BECOMING CHEAPER.
COMPUTERS ARE BECOMING SMALLER.

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COMPUTERS ARE CONSUMING
LESS POWER.

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THE INTERESTING THING
ABOUT RASPBERRY PI 2,

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WHICH WE JUST LAUNCHED
AND WHICH IS ABOUT SIX TIMES

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AS POWERFUL AS THE
ORIGINAL RASPBERRY PI,

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IS THAT IT ACTUALLY
CROSSES OVER THAT LINE

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INTO BEING A USABLE
GENERAL-PURPOSE PC.

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YOU CAN IMAGINE
BUYING ONE OF THESE

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INSTEAD OF A PC
TO BE THE MACHINE

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THAT YOU HAVE AT HOME
TO SURF THE WEB

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OR CHECK E-MAIL
OR WATCH VIDEOS OFF.

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Narrator:
EVERY RASPBERRY PI IS PLACED
INTO AN ANTISTATIC BAG ALONG

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WITH THE CUSTOMER'S
SPECIFIC PACKAGING.

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AND THE FINISHED COMPUTERS
ARE SENT OFF TO BE DISTRIBUTED

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TO THE GROWING MILLIONS
OF USERS AROUND THE GLOBE.

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FROM THE COMPLEX
WORLD OF COMPUTING

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TO THE SIMPLE PLEASURES
OF A CLASSIC AMERICAN TOY,

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WHEN WE RETURN.

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[ STATIC CRACKLES ]

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Narrator: THE BIG OUTDOORS --
OPEN SPACES,

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CONTACT WITH NATURE,
SOCIALIZING WITH OTHERS.

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WE HAVE ALWAYS LOVED
TO SPEND TIME

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IN BEACHES,
PARKS, AND WOODS

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WITH OUTDOOR GAMES DEVELOPED
FOR OUR ENTERTAINMENT.

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ONE OF THOSE GAMES
HAS BEEN HUGELY POPULAR

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SINCE THE END OF WORLD WAR II.

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INSPIRED BY A BAKING TOOL,

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DESIGNED IN A PRISON CELL

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AND ENJOYED BY MILLIONS OF BEACH
AND PARK GOERS EVERYWHERE,

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THIS IS THE FRISBEE.

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THIS WONDERFUL INVENTION
ACTUALLY STARTS LIFE

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AS AN IMPROVISED PLAY THING.

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STUDENTS AT YALE TOOK
THE FRISBEES

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OF THE FRISBIE PIE COMPANY.

179
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THEY WERE BEING THROWN
AROUND CAMPUS AND YELLING,

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"FRISBIE" IN ORDER TO HAVE FUN.

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IT WASN'T REALLY
COMMERCIALIZED.

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IT WAS JUST SIMPLY
THE USE OF A TIN.

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Narrator:
IN 1938, THE COMMERCIALIZATION
OF THE FRISBEE BEGINS

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WHEN A YOUNG AMERICAN
NAMED FRED MORRISON

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AND HIS WIFE-TO-BE,
LUCILE,

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ARE OFFERED 25 CENTS
FOR A CAKE PAN

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THAT THEY ARE THROWING BACK

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AND FORTH AT A BEACH
IN SANTA MONICA, CALIFORNIA.

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AT THE TIME, THE CAKE PAN
COST ONLY 5 CENTS.

190
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THE FACT THAT PEOPLE
WERE WILLING TO PAY 25 CENTS

191
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FOR IT GOT FRED MORRISON
TO THINKING.

192
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BUT IT'S DURING WORLD WAR II

193
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THAT THE IDEA FOR THE FRISBEE
REALLY TAKES FLIGHT.

194
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FRED MORRISON FINDS HIMSELF
PILOTING P-47s

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DURING THE ALLIES' ADVANCE

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THROUGH ITALY,
BUT HE IS SHOT DOWN.

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ALTHOUGH HE SURVIVES,
HE IS TAKEN PRISONER OF WAR.

198
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WITH PLENTY OF TIME
ON HIS HANDS,

199
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MORRISON PUTS HIS KNOWLEDGE
OF AERODYNAMICS TO WORK

200
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BY DREAMING UP
THE PERFECT FLYING DISC.

201
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WHEN THE WAR ENDS,
MORRISON RETURNS HOME TO THE US

202
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AND DEVELOPS SEVERAL PROTOTYPES

203
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OF WHAT WE KNOW
TO BE THE FRISBEE

204
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BEFORE PRODUCING THEM IN 1948.

205
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SO HOW DOES THE FRISBEE
ACTUALLY WORK?

206
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A FRISBEE USES THE SAME
AERODYNAMIC PRINCIPLES

207
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AS AN AIRCRAFT WING
TO ACHIEVE LIFT,

208
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WHICH IS THE FORCE THAT
ALLOWS THE DISK TO FLY.

209
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BECAUSE OF THE FRISBEE'S
CURVED SHAPE AND RIM,

210
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THE AIRFLOW ABOVE IT MUST TRAVEL

211
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AT A HIGHER SPEED
THAN THAT UNDERNEATH,

212
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WHICH CREATES
LOW PRESSURE ABOVE

213
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AND HIGH PRESSURE
BELOW THE DISK.

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THE AIR RUSHING OVER THE TOP
IS A LOWER PRESSURE,

215
00:09:43,483 --> 00:09:45,750
AND IT'S ACTUALLY
SUCKED UP BY THAT.

216
00:09:45,752 --> 00:09:47,953
BUT IT'S ALSO BECAUSE IT'S BEEN
SUCKED UP THE AIR UNDERNEATH,

217
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WHICH IS OF A HIGHER PRESSURE,
IS PUSHING THE FRISBEE UPWARDS.

218
00:09:52,025 --> 00:09:53,691
Narrator: BUT THAT IS NOT
THE WHOLE STORY.

219
00:09:53,693 --> 00:09:55,760
THE SECRET
TO THE FRISBEE'S SUCCESS

220
00:09:55,762 --> 00:09:57,028
IS THE SPINNING ACTION.

221
00:09:57,030 --> 00:10:00,031
THE MORE THE SPIN,
THE BETTER IT WILL FLY.

222
00:10:00,033 --> 00:10:02,166
A FRISBEE WILL FLY BEST
WITH THE LEADING EDGE

223
00:10:02,168 --> 00:10:04,703
SLIGHTLY RAISED IN RELATION
TO THE GROUND.

224
00:10:04,705 --> 00:10:06,638
THIS IS CALLED
THE ANGLE OF ATTACK.

225
00:10:06,640 --> 00:10:08,840
SIMPLY PUT, THE GREATER
THE ANGLE OF ATTACK,

226
00:10:08,842 --> 00:10:10,908
THE GREATER THE LIFT GENERATED.

227
00:10:10,910 --> 00:10:12,577
BUT THERE IS
A TRADE-OFF.

228
00:10:12,579 --> 00:10:14,179
THE GREATER THE ANGLE OF ATTACK,

229
00:10:14,181 --> 00:10:16,113
THE MORE DRAG THE OBJECT
WILL CREATE,

230
00:10:16,115 --> 00:10:18,383
SO EVENTUALLY,
IT WON'T BE ABLE TO FLY.

231
00:10:18,385 --> 00:10:21,519
THIS IS CALLED ASTORE.

232
00:10:21,521 --> 00:10:24,189
THE FORCES OF DRAG,
LIFT, AND GRAVITY

233
00:10:24,191 --> 00:10:26,925
DO NOT ALL ACT CONSISTENTLY
ON THE CENTER OF THE FRISBEE,

234
00:10:26,927 --> 00:10:29,728
WHICH WOULD MEAN
A WOBBLY PATH AND FLIGHT.

235
00:10:29,730 --> 00:10:31,529
LAUNCHING THE DISK
WITH A LARGE SPIN

236
00:10:31,531 --> 00:10:33,999
CREATES GYROSCOPIC INERTIA.

237
00:10:34,001 --> 00:10:36,134
THIS OVERCOMES
THE INCONSISTENT FORCES

238
00:10:36,136 --> 00:10:39,671
AND STABILIZES
THE FRISBEE IN FLIGHT.

239
00:10:39,673 --> 00:10:41,939
THE GREATER THE SPIN,
THE MORE STABLE THE DISK

240
00:10:41,941 --> 00:10:44,009
AND THE BETTER IT FLIES.

241
00:10:44,011 --> 00:10:46,678
IN 1957, MORRISON
SELLS THE RIGHTS

242
00:10:46,680 --> 00:10:49,080
TO THE FLYING DISK TO WHAM-O.

243
00:10:49,082 --> 00:10:52,651
AND IN JUNE OF THAT YEAR,
THE DISC IS RENAMED THE FRISBEE.

244
00:10:55,822 --> 00:10:57,489
HUGELY POPULAR AMONG
YOUNG PEOPLE,

245
00:10:57,491 --> 00:11:00,492
IT'S NOT LONG BEFORE
OFFICIAL FRISBEE EVENTS POP UP

246
00:11:00,494 --> 00:11:02,426
ALL OVER AMERICA,

247
00:11:02,428 --> 00:11:06,765
AND WHAM-O RELEASES
THE OFFICIAL PRO FRISBEE MODEL.

248
00:11:06,767 --> 00:11:08,165
THE FLYING DISC, OR FRISBEE,

249
00:11:08,167 --> 00:11:09,434
IS STILL ONE OF THE MOST

250
00:11:09,436 --> 00:11:11,169
POPULAR OUTDOOR
ACTIVITIES TODAY.

251
00:11:11,171 --> 00:11:13,838
THERE IS EVEN A WORLD FLYING
DISC FEDERATION RESPONSIBLE

252
00:11:13,840 --> 00:11:17,775
FOR THE ORGANIZATION
OF THE WORLD CHAMPIONSHIPS.

253
00:11:17,777 --> 00:11:18,843
ITS WORLDWIDE APPEAL

254
00:11:18,845 --> 00:11:20,645
HAS EVEN BROUGHT IT
TO THE ATTENTION

255
00:11:20,647 --> 00:11:23,314
OF THE INTERNATIONAL
OLYMPIC COMMITTEE.

256
00:11:23,316 --> 00:11:25,383
SO IT MIGHT BE
ONLY A MATTER OF TIME

257
00:11:25,385 --> 00:11:27,852
BEFORE THE CAKE-PAN-INSPIRED
INVENTION

258
00:11:27,854 --> 00:11:30,255
IS AN OFFICIAL PART
OF THE OLYMPIC GAMES.

259
00:11:30,257 --> 00:11:33,058
NOW, THAT'S
AN INCREDIBLE INVENTION.

260
00:11:35,729 --> 00:11:36,727
COMING UP NEXT,

261
00:11:36,729 --> 00:11:38,396
HOW TO MAKE
YOUR FLYING PROJECTILE

262
00:11:38,398 --> 00:11:40,865
FROM ORDINARY HOUSEHOLD ITEMS.

263
00:11:49,476 --> 00:11:51,743
[ STATIC CRACKLES ]

264
00:11:51,745 --> 00:11:53,878
♪♪

265
00:11:53,880 --> 00:11:56,881
Narrator: SO IS THE FRISBEE
THE ONLY UNUSUALLY SHAPED,

266
00:11:56,883 --> 00:12:00,217
GYROSCOPICALLY STABLE
FLYING PROJECTILE?

267
00:12:00,219 --> 00:12:02,287
NO.
AND YOU CAN MAKE ONE YOURSELF

268
00:12:02,289 --> 00:12:03,554
OUT OF HOUSEHOLD GARBAGE.

269
00:12:03,556 --> 00:12:06,224
TO BEGIN, TAKE AN EMPTY
1-LITER PLASTIC BOTTLE,

270
00:12:06,226 --> 00:12:09,427
MAKING SURE IT HAS
PERFECTLY STRAIGHT SIDES.

271
00:12:09,429 --> 00:12:11,095
NEXT, WE NEED
TO MAKE A TEMPLATE

272
00:12:11,097 --> 00:12:14,099
TO CREATE 5 FINS
FOR OUR DISCARDED FLYER.

273
00:12:14,101 --> 00:12:15,767
TAKE A PIECE OF PAPER
LARGE ENOUGH

274
00:12:15,769 --> 00:12:17,035
TO WRAP AROUND THE BOTTLE.

275
00:12:17,037 --> 00:12:20,104
MARK UP THE PAPER INTO FIVE
EVENLY SPACED SECTIONS

276
00:12:20,106 --> 00:12:22,840
AND FOLD THEM
INTO A CONCERTINA.

277
00:12:22,842 --> 00:12:26,043
THE FIN NEEDS TO BE A SERIES
OF NICE, SMOOTH CURVES,

278
00:12:26,045 --> 00:12:27,645
SO AFTER MAKING THE CENTER POINT

279
00:12:27,647 --> 00:12:30,314
AND A LINE ABOUT AN INCH
FROM THE TOP OF EACH SECTION,

280
00:12:30,316 --> 00:12:32,984
SKETCH A CURVE SO THAT
WHEN THE PAPER UNFOLDS,

281
00:12:32,986 --> 00:12:35,386
EACH CURVE BLENDS INTO THE NEXT.

282
00:12:35,388 --> 00:12:38,122
NOW, CAREFULLY CUT
THROUGH ALL FIVE SECTIONS

283
00:12:38,124 --> 00:12:40,725
TO REVEAL A TEMPLATE OF 5 FINS.

284
00:12:40,727 --> 00:12:42,393
WRAP THE TEMPLATE
AROUND THE BOTTLE

285
00:12:42,395 --> 00:12:45,230
AND USE A PEN TO MARK
THE SHAPE INTO THE PLASTIC.

286
00:12:47,234 --> 00:12:48,666
NOW, TAKE A PAIR OF SCISSORS

287
00:12:48,668 --> 00:12:51,736
AND CUT OUT YOUR FLYER
TO REVEAL YOUR PERFECT FINS

288
00:12:51,738 --> 00:12:54,172
AND COVER THE BOTTLE
TO COMPLETE THE SHAPE.

289
00:12:57,610 --> 00:13:00,010
NOW THE TRICKY PART,
TAKE OFF YOUR TEMPLATE

290
00:13:00,012 --> 00:13:01,412
AND GO AROUND
THE LEADING EDGE,

291
00:13:01,414 --> 00:13:05,950
GENTLY PINCHING THE PLASTIC
TO CREATE A HALF-INCH LIP.

292
00:13:05,952 --> 00:13:07,285
START SLOWLY AT FIRST,

293
00:13:07,287 --> 00:13:10,255
AND THEN PRESS DOWN UNTIL YOU
HAVE A DEFINITIVE FOLD.

294
00:13:12,492 --> 00:13:15,627
REINFORCE THIS LIP
WITH PIECES OF DUCT TAPE.

295
00:13:15,629 --> 00:13:18,429
YOU SHOULD NOW HAVE
A RIGID, CIRCULAR EDGE.

296
00:13:18,431 --> 00:13:22,100
YOUR DURACYCLE PLASTIC-BOTTLE
FRISBEE CHALLENGER IS NOW READY,

297
00:13:22,102 --> 00:13:23,735
BUT WILL IT WORK?

298
00:13:25,905 --> 00:13:29,040
LIKE A FRISBEE, THROW TECHNIQUE
IS ALL IMPORTANT,

299
00:13:29,042 --> 00:13:31,643
WITH THE SECRET BEING TO ADD
A NICE SPINNING ACTION

300
00:13:31,645 --> 00:13:33,711
ON THE THROW,
AND THERE YOU GO.

301
00:13:33,713 --> 00:13:36,047
WITH A FRONT PROFILE

302
00:13:36,049 --> 00:13:37,514
THAT AFFORDS LOW AIR RESISTANCE

303
00:13:37,516 --> 00:13:39,584
AND SPINNING SIDES
GENERATING LIFT

304
00:13:39,586 --> 00:13:42,587
AND GYROSCOPIC STABILITY
IN A SIMILAR WAY TO THE FRISBEE,

305
00:13:42,589 --> 00:13:45,790
WE REALLY HAVE TAKEN
RECYCLING TO A NEW LEVEL.

306
00:13:47,060 --> 00:13:49,327
WHETHER IT BE CARVING
THE SUNDAY ROAST

307
00:13:49,329 --> 00:13:50,929
OR THE TURKEY AT THANKSGIVING,

308
00:13:50,931 --> 00:13:52,463
WE ALL NEED
THE PROPER UTENSILS.

309
00:13:52,465 --> 00:13:55,266
THESE SIMPLE EVERYDAY
IMPLEMENTS HAVE DEFINED

310
00:13:55,268 --> 00:13:57,802
AND REFINED THE WAY
WE EAT OUR MEALS.

311
00:13:57,804 --> 00:13:59,804
CUTLERY HAS ITS ORIGINS
IN EUROPE,

312
00:13:59,806 --> 00:14:03,875
AND IT IS SHAPED BY THE KINDS
OF FOODS EATEN THERE.

313
00:14:03,877 --> 00:14:05,476
Hurd: EUROPE HAS CERTAINLY BEEN

314
00:14:05,478 --> 00:14:07,411
ONE OF THE CENTERS OF CUTLERY,

315
00:14:07,413 --> 00:14:09,414
AND ITS PREDOMINANCE
WITHIN SOCIETY

316
00:14:09,416 --> 00:14:11,082
IS BASICALLY
BECAUSE THE KIND OF FOOD

317
00:14:11,084 --> 00:14:13,284
WE EAT WARRANTS
THE USE OF CUTLERY.

318
00:14:13,286 --> 00:14:14,885
WE'VE TRADITIONALLY ALWAYS EATEN

319
00:14:14,887 --> 00:14:17,421
A LOT OF LARGE PIECES
OF WHOLE MEAT,

320
00:14:17,423 --> 00:14:19,290
WHOLE VEGETABLES, WHEREAS
IN OTHER CULTURES

321
00:14:19,292 --> 00:14:21,359
WHERE THEY CHOP IT DOWN,
IT'S SLIGHTLY FINER.

322
00:14:21,361 --> 00:14:23,761
YOU THINK OF THINGS LIKE HOW
THE MEAT IS PREPARED IN CHINA

323
00:14:23,763 --> 00:14:25,630
WHERE IT'S KIND OF BROKEN DOWN
INTO FIBERS AND STUFF,

324
00:14:25,632 --> 00:14:27,765
THIS CAN BE PICKED UP
QUITE EASILY WITH CHOPSTICKS.

325
00:14:27,767 --> 00:14:30,034
THE EUROPEAN DIET
HAS ALWAYS WARRANTED

326
00:14:30,036 --> 00:14:34,706
THE USE OF A KNIFE
AND A FORK AND A SPOON.

327
00:14:34,708 --> 00:14:36,774
Narrator: BUT THE BASIC DESIGN
WE RECOGNIZE TODAY

328
00:14:36,776 --> 00:14:38,910
TOOK SOME TIME TO ACHIEVE.

329
00:14:38,912 --> 00:14:42,247
WHEN WE RETURN, THE FASCINATING
HISTORY OF SILVERWARE

330
00:14:42,249 --> 00:14:44,749
AND THE SECRETS
OF HOW IT'S MADE.

331
00:14:54,127 --> 00:14:56,728
[ STATIC CRACKLES ]

332
00:14:56,730 --> 00:14:59,731
Narrator:
IN 1912, AS WORLD WAR I
APPROACHES IN EUROPE,

333
00:14:59,733 --> 00:15:01,466
THE BRITISH GOVERNMENT
ACTIVELY SEARCHES

334
00:15:01,468 --> 00:15:03,000
FOR BETTER QUALITY MATERIALS

335
00:15:03,002 --> 00:15:04,935
TO USE INSIDE
THEIR GUN BARRELS.

336
00:15:04,937 --> 00:15:06,804
CONSTANT EXPOSURE
TO HIGH TEMPERATURES

337
00:15:06,806 --> 00:15:11,208
MEANS THAT THE EXISTING
GUN BARRELS ERODE QUICKLY.

338
00:15:11,210 --> 00:15:14,345
A BRITISH INVENTOR NAMED
HARRY BREARLEY HAS THE ANSWER.

339
00:15:14,347 --> 00:15:16,748
HE CREATES A METAL THAT,
AS A BYPRODUCT,

340
00:15:16,750 --> 00:15:20,150
CHANGES THE FACE
OF CUTLERY PRODUCTION.

341
00:15:20,152 --> 00:15:21,886
WHAT BREARLEY DOES IS
TO INCREASE

342
00:15:21,888 --> 00:15:24,889
THE AMOUNT OF CHROMIUM
IN STEEL COMPOSITION.

343
00:15:24,891 --> 00:15:26,291
UNLIKE ORDINARY MINED STEEL,

344
00:15:26,293 --> 00:15:28,692
THE CHROMIUM STEEL
MIX FORMS A BONDED,

345
00:15:28,694 --> 00:15:30,427
PROTECTED LAYER
OF CHROMIUM OXIDE

346
00:15:30,429 --> 00:15:32,563
ON THE SURFACE
THAT PREVENTS OXYGEN

347
00:15:32,565 --> 00:15:34,365
PENETRATING IT
AND FORMING CORROSION.

348
00:15:34,367 --> 00:15:37,835
THE METAL BREARLEY DEVELOPS
IS CALLED STAINLESS STEEL.

349
00:15:37,837 --> 00:15:39,903
DID YOU KNOW THAT THE FORK
AND KNIFE YOU USE

350
00:15:39,905 --> 00:15:41,638
HAS SUCH A COMPLEX PAST

351
00:15:41,640 --> 00:15:44,242
AND THAT, TODAY,
EVERYONE USES THEM DIFFERENTLY?

352
00:15:44,244 --> 00:15:46,644
Hurd:
IN AMERICA, YOUR FORK WILL BE
IN YOUR LEFT HAND,

353
00:15:46,646 --> 00:15:48,712
AND YOUR KNIFE WILL BE
IN YOUR RIGHT HAND.

354
00:15:48,714 --> 00:15:50,447
ONCE YOU CUT THE MEAT
WITH YOUR KNIFE,

355
00:15:50,449 --> 00:15:52,316
YOU'LL PLACE THE KNIFE AWAY

356
00:15:52,318 --> 00:15:55,520
AND THEN SWAP THE FORK
TO THE RIGHT HAND TO EAT.

357
00:15:55,522 --> 00:15:56,921
IN EUROPE,
IT'S THE OTHER WAY AROUND.

358
00:15:56,923 --> 00:15:58,856
WE KEEP OUR FORK
IN OUR LEFT HAND

359
00:15:58,858 --> 00:16:00,591
AND OUR KNIFE IN OUR RIGHT
HAND THE WHOLE WAY.

360
00:16:00,593 --> 00:16:02,393
WHEN WE PUT IT DOWN
ON THE PLATE,

361
00:16:02,395 --> 00:16:04,329
THAT'S THE INDICATION
THAT WE'VE FINISHED EATING

362
00:16:04,331 --> 00:16:05,730
WHEREAS THE AMERICAN'S
WOULD PUT IT AT,

363
00:16:05,732 --> 00:16:07,799
LIKE, A 10-TO-2 ANGLE.

364
00:16:09,536 --> 00:16:11,936
Narrator:
DINING ETIQUETTE BECOMES
EVEN MORE IMPORTANT

365
00:16:11,938 --> 00:16:15,005
AS GOING OUT TO EAT
BECOMES MORE POPULAR.

366
00:16:15,007 --> 00:16:16,607
Hurd: WHEN RESTAURANTS
BECAME PREDOMINANT,

367
00:16:16,609 --> 00:16:18,275
THERE NEEDED TO BE
SOME KIND OF CODE.

368
00:16:18,277 --> 00:16:19,410
YOU KNOW,
IF YOU'RE AN ARISTOCRAT

369
00:16:19,412 --> 00:16:21,746
SAT IN A SALON
RESTAURANT IN PARIS,

370
00:16:21,748 --> 00:16:22,813
YOU DON'T WANT TO SPEAK
TO THAT WAITER

371
00:16:22,815 --> 00:16:24,015
OR THAT MAITRE D',

372
00:16:24,017 --> 00:16:25,349
THE WAY YOU POSITION YOUR KNIVES

373
00:16:25,351 --> 00:16:26,951
AND FORKS ON THE PLATE
TELLS THE WAITER,

374
00:16:26,953 --> 00:16:28,686
"I'M STILL EATING,"
"I'M NOT EATING.

375
00:16:28,688 --> 00:16:30,554
TAKE IT AWAY,"
OR, "IT WAS RUBBISH."

376
00:16:30,556 --> 00:16:33,357
SO CUTLERY IS KIND
OF THE UNSPOKEN LANGUAGE

377
00:16:33,359 --> 00:16:35,093
OF THE RESTAURANT.

378
00:16:35,095 --> 00:16:36,961
Narrator: SO THE NEXT TIME
YOU ARE OUT FOR A MEAL,

379
00:16:36,963 --> 00:16:39,563
TAKE A LONG HARD LOOK
AT YOUR FORK AND SPOON.

380
00:16:39,565 --> 00:16:40,764
AND BEFORE YOU DIG IN,

381
00:16:40,766 --> 00:16:42,499
REMEMBER YOU HAVE GUN DESIGN

382
00:16:42,501 --> 00:16:44,202
TO THANK FOR ITS CREATION.

383
00:16:47,507 --> 00:16:49,640
LIBERTY TABLETOP HAS BEEN
MAKING CUTLERY

384
00:16:49,642 --> 00:16:52,643
IN SHERRILL, NEW YORK,
SINCE 2005.

385
00:16:52,645 --> 00:16:54,511
SHERRILL, NEW YORK,
IS PRETTY MUCH

386
00:16:54,513 --> 00:16:56,981
IN THE GEOGRAPHIC CENTER
OF NEW YORK STATE.

387
00:16:56,983 --> 00:16:59,917
WE TRY TO SOURCE AS MUCH
OF OUR RAW MATERIALS,

388
00:16:59,919 --> 00:17:01,586
SUPPLIES, PACKAGING,

389
00:17:01,588 --> 00:17:04,455
EVERYTHING THAT WE CAN
IN THE UNITED STATES.

390
00:17:04,457 --> 00:17:06,657
WE REQUIRE THAT OUR STEEL
IS MELTED HERE.

391
00:17:06,659 --> 00:17:09,393
Narrator:
IT'S THE ONLY CUTLERY PRODUCER
IN NORTH AMERICA,

392
00:17:09,395 --> 00:17:13,664
PRODUCING APPROXIMATELY
30,000 PIECES EVERY WEEK.

393
00:17:13,666 --> 00:17:16,600
DEPENDING ON THE COMPLEXITY
OF THE PIECE,

394
00:17:16,602 --> 00:17:19,003
IT CAN TAKE ANYWHERE
FROM 2 TO 4 WEEKS

395
00:17:19,005 --> 00:17:22,673
TO GO FROM START
TO FINISH THROUGH THE FACTORY.

396
00:17:28,415 --> 00:17:30,948
Narrator:
A 2,000-POUND COIL
OF STAINLESS STEEL

397
00:17:30,950 --> 00:17:34,318
IS HOISTED ONTO A MACHINE
VIA A FORKLIFT TRUCK.

398
00:17:37,290 --> 00:17:39,957
THE FLAT STEEL SHEET IS FED
INTO THE BLANKING PRESS

399
00:17:39,959 --> 00:17:42,360
WHERE THE STEEL
IS CUT INTO ROUGH SHAPES.

400
00:17:45,165 --> 00:17:47,231
THOSE BLANKS CAN
ACTUALLY BE ROLLED

401
00:17:47,233 --> 00:17:49,933
AND CUT INTO DIFFERENT SHAPES,

402
00:17:49,935 --> 00:17:52,637
WHICH WOULD MAKE FORKS AND
SPOONS OF DIFFERENT OUTLINES.

403
00:17:52,639 --> 00:17:54,705
Narrator:
THE BLANKING PRESS
TAKES ONE SECOND

404
00:17:54,707 --> 00:17:55,973
TO PRODUCE EACH BLANK,

405
00:17:55,975 --> 00:17:58,476
WHICH CAN THEN BE MADE
INTO SPOONS OR FORKS.

406
00:18:02,515 --> 00:18:04,515
THE BLANKS ARE SENT
TO A ROLLING MILL

407
00:18:04,517 --> 00:18:05,716
WHERE THEY ARE STRETCHED OUT

408
00:18:05,718 --> 00:18:08,586
BETWEEN TWO HARDENED
STEEL ROLLS.

409
00:18:08,588 --> 00:18:11,589
THE ROLLS HAVE A SPECIFIC
PRECISION GROUND PROFILE,

410
00:18:11,591 --> 00:18:14,525
SO THAT THE BALLS OF THE SPOONS
AND THE PRONGS OF THE FORK

411
00:18:14,527 --> 00:18:16,660
WILL BE THINNER
THAN THE HANDLES.

412
00:18:16,662 --> 00:18:18,929
IT'S ACTUALLY SORT OF SIMILAR

413
00:18:18,931 --> 00:18:20,898
IN PROCESS
TO ROLLING OUT PIE DOUGH.

414
00:18:20,900 --> 00:18:23,000
YOU ROLL IT OUT
SO THAT YOU CAN CUT OUT

415
00:18:23,002 --> 00:18:24,469
THE CUT-OUT COOKIES,
FOR EXAMPLE.

416
00:18:24,471 --> 00:18:25,870
SO THAT'S ESSENTIALLY WHAT WE DO

417
00:18:25,872 --> 00:18:28,005
IN THAT PART OF THE PROCESS.

418
00:18:28,007 --> 00:18:29,940
Narrator: AFTER THE BLANKS PASS
THROUGH THE ROLLS,

419
00:18:29,942 --> 00:18:32,409
THEY AUTOMATICALLY FALL
INTO A PUNCH PRESS

420
00:18:32,411 --> 00:18:34,545
WHERE THEY ARE CUT
INTO AN OUTLINED SHAPE.

421
00:18:38,617 --> 00:18:41,419
NEXT, THE PIECES ARE PUT
INTO AN EALING FURNACE,

422
00:18:41,421 --> 00:18:42,620
WHICH SOFTENS UP THE METAL

423
00:18:42,622 --> 00:18:44,956
TO ENABLE FURTHER
STAMPING AND SHAVING.

424
00:18:46,826 --> 00:18:48,025
THE FURNACE HEATS THE METAL

425
00:18:48,027 --> 00:18:52,095
TO A TEMPERATURE
OF 1,900 DEGREES FAHRENHEIT.

426
00:18:52,097 --> 00:18:55,032
♪♪

427
00:18:59,505 --> 00:19:00,637
THE FORKS AND SPOONS

428
00:19:00,639 --> 00:19:02,306
ARE NOW PUT THROUGH
A COINING PRESS

429
00:19:02,308 --> 00:19:05,643
WHERE THE PATTERNS ARE
STAMPED INTO THE HANDLES.

430
00:19:05,645 --> 00:19:07,912
THEY ARE THEN FED
INTO ANOTHER COINING PRESS

431
00:19:07,914 --> 00:19:10,715
WHERE THE BALL OF THE SPOON
OR THE PRONGS OF THE FORK

432
00:19:10,717 --> 00:19:13,584
ARE BENT INTO THE CORRECT SHAPE.

433
00:19:13,586 --> 00:19:16,053
WE BEND THE BOWL
OR THE FORK TINES.

434
00:19:16,055 --> 00:19:17,854
IT'S BASICALLY THE PIECES --

435
00:19:17,856 --> 00:19:20,191
LOOKS JUST LIKE A FORK
OR SPOON THAT YOU WOULD USE,

436
00:19:20,193 --> 00:19:21,692
EXCEPT IT'S NOT POLISHED.

437
00:19:23,729 --> 00:19:24,996
Narrator:
ALL ITEMS ARE THEN POLISHED

438
00:19:24,998 --> 00:19:27,365
IN A SERIES OF SHANKING
AND EDGING MACHINES.

439
00:19:29,001 --> 00:19:31,201
THREE SHANKING MACHINES
PROGRESSIVELY GRIND

440
00:19:31,203 --> 00:19:32,737
AND POLISH THE SHANK AREA.

441
00:19:32,739 --> 00:19:35,873
THAT'S THE PART OF THE CUTLERY
WHERE THE BALL AND HANDLE MEET.

442
00:19:38,945 --> 00:19:40,811
NOW THEY GO THROUGH
AN EDGING MACHINE

443
00:19:40,813 --> 00:19:43,281
WHERE THE HANDLES ARE ALSO
GROUND AND POLISHED.

444
00:19:48,888 --> 00:19:50,221
IN THE FINAL PROCESS,

445
00:19:50,223 --> 00:19:52,857
THE CUTLERY IS BUFFED
TO A MIRROR FINISH.

446
00:19:56,563 --> 00:19:59,496
WE START WITH THE BOWL,
MOVE ONTO THE HANDLE,

447
00:19:59,498 --> 00:20:01,232
AND THEN WE GO BACK
TO THE BOWL AGAIN,

448
00:20:01,234 --> 00:20:03,100
USING TWO TYPES
OF BUFFING COMPOUND.

449
00:20:03,102 --> 00:20:06,370
ONE IS A ROUGHING COMPOUND
THAT SMOOTHS THE SURFACE

450
00:20:06,372 --> 00:20:08,239
AND THEN THE FINAL
BUFFING COMPOUND,

451
00:20:08,241 --> 00:20:11,042
LIQUID BASED, VERY FINE GRAIN.

452
00:20:11,044 --> 00:20:12,243
THEN THE PIECE COMES OUT.

453
00:20:12,245 --> 00:20:14,578
I THINK IT LOOKS LIKE
A PIECE OF JEWELRY.

454
00:20:14,580 --> 00:20:16,580
Narrator: FINALLY, THE CUTLERY
IS INSPECTED

455
00:20:16,582 --> 00:20:18,449
AND INDIVIDUALLY
WRAPPED FOR DELIVERY.

456
00:20:18,451 --> 00:20:20,918
Roberts: WE HAVE ACTUALLY
100% INSPECTION

457
00:20:20,920 --> 00:20:22,386
OF ALL OF OUR FLATWARE.

458
00:20:22,388 --> 00:20:24,255
WE LOOK AT IT ONE AT A TIME,

459
00:20:24,257 --> 00:20:26,123
AND WE WIPE IT
BY HAND

460
00:20:26,125 --> 00:20:27,658
WITHOUT USING
ANY HARSH CHEMICALS.

461
00:20:27,660 --> 00:20:29,927
YOU JUST WIPE THE COMPOUND OFF,
PUT IT IN A BAG,

462
00:20:29,929 --> 00:20:32,263
AND IT'S READY TO GO
TO THE CUSTOMER.

463
00:20:32,265 --> 00:20:35,399
Narrator: SILVERWARE --
TRULY AN INCREDIBLE INVENTION.

464
00:20:40,006 --> 00:20:42,606
SO THERE YOU HAVE IT, A GLANCE
THROUGH THE HIDDEN HISTORY

465
00:20:42,608 --> 00:20:44,809
AND SUPER SCIENCE OF
SOME AMAZING PRODUCTS

466
00:20:44,811 --> 00:20:48,012
THAT YOU USE EVERY DAY.

467
00:20:48,014 --> 00:20:49,413
THE COMPUTER,

468
00:20:49,415 --> 00:20:51,482
THE FRISBEE,

469
00:20:51,484 --> 00:20:53,016
AND SILVERWARE,

470
00:20:53,018 --> 00:20:54,885
THEY MAY SEEM
COMMON AND ORDINARY.

471
00:20:54,887 --> 00:20:57,088
HOWEVER, THESE PRODUCTS
HELP CHANGE THE WORLD

472
00:20:57,090 --> 00:20:59,824
ONE INCREDIBLE INVENTION
AT A TIME.

